1
00:00:04,739 --> 00:00:05,971
HI, MOM!
2
00:00:07,908 --> 00:00:11,343
I JUST LOVE HOME
VIDEOS, DON'T YOU?
3
00:00:11,411 --> 00:00:15,313
ESPECIALLY WHEN
THE HOME IS HAUNTED.
4
00:00:15,382 --> 00:00:19,501
TONIGHT'S TWISTED TALE,
MY DEAR COUCH POTATOES,
5
00:00:19,570 --> 00:00:23,471
IS FILED UNDER "T"
FOR TELEVISION...
6
00:00:23,540 --> 00:00:24,840
OR SHOULD THAT BE...
7
00:00:24,909 --> 00:00:26,308
TERROR?
8
00:00:26,376 --> 00:00:28,977
MR. HORTON RIVERS
IS ABOUT TO FIND OUT,
9
00:00:29,046 --> 00:00:31,714
SO STAYED TUNED TO THIS...
10
00:00:31,782 --> 00:00:34,416
TOTALLY TITILLATING TUBE.
11
00:01:39,700 --> 00:01:42,501
Booth: AND... CUE HORTON.
12
00:01:43,937 --> 00:01:45,036
MASS MURDER,
13
00:01:45,105 --> 00:01:46,705
DISMEMBERMENT,
14
00:01:46,773 --> 00:01:47,706
SUICIDE...
15
00:01:47,774 --> 00:01:49,324
IT ALL HAPPENED RIGHT HERE
16
00:01:49,392 --> 00:01:50,775
ON THIS QUIET STREET
17
00:01:50,844 --> 00:01:52,794
IN THE HEART OF LOS ANGELES.
18
00:01:52,880 --> 00:01:55,564
WITHIN THE WALLS OF
THE ONCE STATELY...
19
00:01:55,632 --> 00:01:56,731
MANOR RIGHT BEHIND ME,
20
00:01:56,800 --> 00:01:58,400
ADA RITTER,
21
00:01:58,469 --> 00:02:00,589
AGING MATRIARCH OF THE
RITTER HOME BOARDING HOUSE,
22
00:02:00,620 --> 00:02:03,188
ROUTINELY MURDERED
HER ELDERLY GUESTS
23
00:02:03,256 --> 00:02:05,223
FOR THEIR SOCIAL
SECURITY CHECKS.
24
00:02:05,292 --> 00:02:07,242
THE BODIES WERE DISMEMBERED
25
00:02:07,311 --> 00:02:09,161
AND BURIED IN THE BASEMENT.
26
00:02:09,230 --> 00:02:10,929
12 VICTIMS IN ALL.
27
00:02:10,997 --> 00:02:13,915
POLICE SPECULATE THERE
MAY HAVE BEEN MORE.
28
00:02:13,984 --> 00:02:15,267
ONLY ADA RITTER,
29
00:02:15,335 --> 00:02:17,247
WHOSE SUICIDE PROMPTED
THE INVESTIGATION,
30
00:02:17,271 --> 00:02:18,203
KNEW FOR SURE.
31
00:02:18,272 --> 00:02:19,272
CAMERA 3.
32
00:02:19,323 --> 00:02:21,256
NOW, 5 YEARS LATER,
33
00:02:21,325 --> 00:02:22,724
THE HORROR CONTINUES...
34
00:02:22,793 --> 00:02:25,260
RUMORS OF GHOSTS,
VOICES IN THE NIGHT,
35
00:02:25,329 --> 00:02:27,496
WEIRD LIGHTS AND SOUND.
36
00:02:27,564 --> 00:02:28,630
NONSENSE?
37
00:02:30,567 --> 00:02:33,067
OR IS THIS MODERN-DAY
CHAMBER OF HORRORS
38
00:02:33,136 --> 00:02:34,068
TRULY HAUNTED?
39
00:02:34,137 --> 00:02:36,305
TONIGHT...
40
00:02:36,373 --> 00:02:38,607
WE'LL FIND OUT,
41
00:02:38,676 --> 00:02:40,796
BECAUSE I'M GOING
INSIDE THE RITTER HOUSE.
42
00:02:40,844 --> 00:02:42,411
AH...
43
00:02:42,479 --> 00:02:44,045
BUT YOU'LL BE WITH ME
44
00:02:44,114 --> 00:02:47,215
ON THIS SPECIAL HAUNTING EDITION
45
00:02:47,284 --> 00:02:50,285
OF HORTON RIVERS LIVE!
46
00:02:50,354 --> 00:02:51,286
DON'T LEAVE ME.
47
00:02:51,355 --> 00:02:53,438
BERNIE BOY, THE SCISSORS.
48
00:03:01,198 --> 00:03:03,098
Booth: AND...
49
00:03:03,166 --> 00:03:04,177
ROLL COMMERCIAL.
50
00:03:04,201 --> 00:03:05,433
Woman: STAND BY, TAPE 2.
51
00:03:05,502 --> 00:03:07,002
TAPE 2.
52
00:03:07,070 --> 00:03:09,104
TWO MINUTES TO START TIME.
53
00:03:09,172 --> 00:03:10,249
Man, on monitor: TWO
MINUTES, EVERYONE!
54
00:03:10,273 --> 00:03:11,484
DON'T YOU THINK
IT'S A LITTLE STUPID
55
00:03:11,508 --> 00:03:13,052
HAVING A POLICE LINE STILL UP
56
00:03:13,076 --> 00:03:14,820
5 YEARS AFTER THE
CASE WAS CLOSED?
57
00:03:14,844 --> 00:03:16,494
I TRIED TO TELL HIM.
58
00:03:16,563 --> 00:03:17,563
Horton: SAM!
59
00:03:17,630 --> 00:03:19,665
SAM, GET YOUR TAIL
FEATHERS OUT HERE!
60
00:03:19,717 --> 00:03:21,066
HIS MAJESTY BECKONS.
61
00:03:22,819 --> 00:03:24,952
SAMMY BABY!
62
00:03:28,725 --> 00:03:30,791
Booth: YOU PUTZ.
63
00:03:30,860 --> 00:03:32,660
WHERE THE HELL IS SHE?
COME ON. GET THIS SIDE.
64
00:03:34,280 --> 00:03:35,446
SAM!
65
00:03:40,220 --> 00:03:42,153
JUST A SEC. SAM...
66
00:03:42,222 --> 00:03:44,973
WHO IS THAT CLOWN?
67
00:03:45,042 --> 00:03:47,225
THAT IS ROLAND WORKSHAFTER,
68
00:03:47,294 --> 00:03:48,404
THE PSYCHIC YOU REQUESTED.
69
00:03:48,428 --> 00:03:50,195
HE LOOKS MORE LIKE A MORTICIAN
70
00:03:50,264 --> 00:03:52,030
THAN A PSYCHIC.
71
00:03:52,098 --> 00:03:53,865
OK. FORGET THAT.
NEXT WEEK'S SHOWS.
72
00:03:53,933 --> 00:03:55,211
OK. YOU GOT A CHOICE NEXT WEEK.
73
00:03:55,235 --> 00:03:56,246
YOU GOT THE SATANISTS,
74
00:03:56,270 --> 00:03:58,114
YOU GOT THE
IMPOTENT TRANSVESTITE,
75
00:03:58,138 --> 00:03:59,149
SOLDIERS OF FORTUNE,
76
00:03:59,173 --> 00:04:00,413
A NEO-NAZI BLACK GROUP,
77
00:04:00,440 --> 00:04:03,675
AND THE CULTURE SHOW FOR
THURSDAY IS BREAST IMPLANTS.
78
00:04:03,743 --> 00:04:04,976
BINGO. YOU GOT ANY STRIPPERS?
79
00:04:05,045 --> 00:04:06,372
YES, WE GOT A COMBO ON THAT ONE.
80
00:04:06,396 --> 00:04:07,346
DO YOU WANT THE STRIPPERS
81
00:04:07,414 --> 00:04:08,825
WHO WERE IN THE SAME
CONVENT TOGETHER
82
00:04:08,849 --> 00:04:10,060
OR THE ONES WHO USE ANIMALS?
83
00:04:10,084 --> 00:04:11,324
HMM. I'LL TAKE THE NUNS.
84
00:04:11,385 --> 00:04:12,434
GOOD CHOICE.
85
00:04:12,502 --> 00:04:14,713
THEY'RE AS CLOSE TO
HEAVEN AS YOU'LL EVER GET.
86
00:04:14,737 --> 00:04:15,870
HOW ABOUT THAT COUPLE
87
00:04:15,939 --> 00:04:18,839
THAT WAS TAKING PICTURES
IN PARIS OF JIM MORRISON?
88
00:04:18,908 --> 00:04:19,857
YEAH, THEY SAID THEY GOT A BUNCH
89
00:04:19,926 --> 00:04:22,271
OF HIM HAVING LUNCH
WITH MARILYN MONROE.
90
00:04:25,432 --> 00:04:28,066
OK. ALL RIGHT. I LIKE IT.
91
00:04:28,135 --> 00:04:29,579
YOU THINK PEOPLE ARE
GOING TO BELIEVE THAT?
92
00:04:29,603 --> 00:04:30,519
YEAH.
93
00:04:30,587 --> 00:04:32,120
THEY'LL BELIEVE
94
00:04:32,188 --> 00:04:34,355
WHAT I TELL THEM TO BELIEVE.
95
00:04:34,425 --> 00:04:36,391
I GOT A GREAT
IDEA. LISTEN TO ME.
96
00:04:36,460 --> 00:04:37,726
1960's ROCK MUSIC,
97
00:04:37,795 --> 00:04:38,795
I GET THE OUTFIT.
98
00:04:38,862 --> 00:04:41,262
THE MORRISON JACKET,
THE TIGHT LEATHER PANTS,
99
00:04:41,331 --> 00:04:44,132
STUFF THE SOCK DOWN IN FRONT.
100
00:04:44,200 --> 00:04:45,133
NICE TOUCH.
101
00:04:45,201 --> 00:04:47,903
I DON'T REALLY NEED
IT, SAM, ALL RIGHT?
102
00:04:47,971 --> 00:04:49,838
AND I SING ONE OF
HIS SONGS, LIKE, UH...
103
00:04:49,907 --> 00:04:51,440
♪ HELLO, HELLO ♪
104
00:04:51,508 --> 00:04:52,508
♪ I'M LIVIN' IN FRANCE ♪
105
00:04:52,576 --> 00:04:54,475
♪ I GOTTA, I'VE GOTTA ♪
106
00:04:54,544 --> 00:04:55,811
♪ GET OUT OF THESE PANTS ♪
107
00:04:55,879 --> 00:04:56,879
HUH? YOU LIKE THAT, HUH?
108
00:04:58,298 --> 00:04:59,576
I THINK YOU'LL BE
THE FIRST TV HOST
109
00:04:59,600 --> 00:05:01,249
SUED BY A DEAD GUY.
110
00:05:01,317 --> 00:05:03,129
Booth: 10 SECONDS, HORTON!
GET YOUR EAR PIECE IN.
111
00:05:03,153 --> 00:05:04,753
LET ME TELL YOU SOMETHING, PAL.
112
00:05:04,821 --> 00:05:06,220
YOU'RE NOT TOUGH ENOUGH.
113
00:05:06,289 --> 00:05:07,722
YOU'RE TOO CONSCIENTIOUS.
114
00:05:07,791 --> 00:05:10,424
YOU GOT TO HAVE THAT
KILLER INSTINCT, ALL RIGHT?
115
00:05:10,493 --> 00:05:12,293
AND REMEMBER SOMETHING.
116
00:05:12,362 --> 00:05:14,829
JUST BECAUSE YOU'RE
SLEEPING WITH ME
117
00:05:14,898 --> 00:05:16,998
DOESN'T GIVE YOU A
FREE RIDE IN THIS TOWN.
118
00:05:17,067 --> 00:05:18,227
Booth: POSITIONS, PLEASE!
119
00:05:18,268 --> 00:05:19,200
Woman: QUIET!
120
00:05:19,269 --> 00:05:20,780
LET'S HOLD THE WORK! HOLD IT!
121
00:05:20,804 --> 00:05:22,070
STAND BY!
122
00:05:22,139 --> 00:05:23,504
QUIET ON THE SET.
123
00:05:26,843 --> 00:05:28,054
READY ON THE 2-SHOT.
124
00:05:28,078 --> 00:05:29,477
Woman: STAND BY, CAMERA 3.
125
00:05:29,546 --> 00:05:31,746
HOLD THE 2-SHOT.
OPEN HORTON'S MIKE.
126
00:05:31,815 --> 00:05:34,332
YOU EXTRAORDINARILY PUTRID WASTE
127
00:05:34,401 --> 00:05:35,767
OF HUMAN TISSUE.
128
00:05:35,835 --> 00:05:37,068
CAMERA 3.
129
00:05:37,137 --> 00:05:39,037
WITH ME TONIGHT IS
DR. ROLAND WORKSHAFTER,
130
00:05:39,106 --> 00:05:41,839
ONE OF THE WORLD'S
MOST RENOWNED PSYCHICS.
131
00:05:41,909 --> 00:05:43,574
DOCTOR, I WANT TO
SAY, FIRST OF ALL,
132
00:05:43,643 --> 00:05:45,543
THAT I AM A GREAT ADMIRER
133
00:05:45,612 --> 00:05:46,878
OF YOUR WONDERFUL WORK.
134
00:05:46,947 --> 00:05:50,515
TELL ME, SIR, IS THE
RITTER HOUSE HAUNTED?
135
00:05:50,583 --> 00:05:52,650
IT'S A PIT OF SEETHING EVIL.
136
00:05:52,719 --> 00:05:54,286
WOULD YOU ENTER IT WITH US?
137
00:05:54,354 --> 00:05:56,821
YOU COULDN'T PAY
ME TO GO IN THERE,
138
00:05:56,890 --> 00:05:58,801
NOR DO I RECOMMEND
YOU GO EITHER.
139
00:05:58,825 --> 00:06:00,202
THERE YOU HAVE IT,
LADIES AND GENTLEMEN.
140
00:06:00,226 --> 00:06:02,227
ANOTHER EXPERT OPINION
141
00:06:02,295 --> 00:06:04,528
AND AN OPINION WE'RE
GOING TO HAVE TO DEFY
142
00:06:04,597 --> 00:06:07,498
IN ORDER TO BRING
THE STORY HOME TO YOU.
143
00:06:07,567 --> 00:06:08,499
THANK YOU, DOCTOR.
144
00:06:08,568 --> 00:06:10,902
GIVE ME A BREAK.
READY ON CAMERA 2.
145
00:06:10,971 --> 00:06:12,403
STAND BY, 2.
146
00:06:12,473 --> 00:06:13,905
CAMERA 2.
147
00:06:13,974 --> 00:06:16,140
VIEWERS FAMILIAR WITH
MY OTHER INVESTIGATIONS
148
00:06:16,209 --> 00:06:19,010
WILL UNDOUBTEDLY
RECOGNIZE MY CAMERAMAN,
149
00:06:19,079 --> 00:06:20,011
TRIP HENDERSON.
150
00:06:20,080 --> 00:06:21,312
TRIP.
151
00:06:21,381 --> 00:06:22,381
OK, GUYS.
152
00:06:22,449 --> 00:06:25,116
LET'S GET INSIDE THIS JOINT.
153
00:06:25,185 --> 00:06:26,217
FIVE YEARS AGO,
154
00:06:26,286 --> 00:06:29,187
THIS PLACE WAS SEALED TIGHT.
155
00:06:29,255 --> 00:06:31,322
WHAT SECRETS LAY INSIDE?
156
00:06:31,391 --> 00:06:32,457
COME ON. COME ON.
157
00:06:32,526 --> 00:06:34,325
WHAT STARTLING DISCOVERIES...
158
00:06:34,394 --> 00:06:35,326
AWAIT US?
159
00:06:35,395 --> 00:06:37,862
GO, GOD DAMN IT! GET INSIDE!
160
00:06:42,386 --> 00:06:43,386
FOLLOW ME...
161
00:06:45,155 --> 00:06:46,354
IF YOU DARE.
162
00:06:48,125 --> 00:06:50,892
YOU FUCKIN' DICKHEAD.
163
00:07:04,223 --> 00:07:06,357
HOLY SHIT!
164
00:07:06,426 --> 00:07:09,260
I FEEL LIKE I'M IN FUCKIN'
LOST IN SPACE, MAN.
165
00:07:24,260 --> 00:07:27,006
Booth: STAND BY, HORTON.
166
00:07:27,030 --> 00:07:28,129
GO.
167
00:07:28,198 --> 00:07:29,842
LADIES AND GENTLEMEN,
THIS IS AMAZING.
168
00:07:29,866 --> 00:07:31,310
I MEAN, WHAT YOU'RE
SEEING RIGHT NOW
169
00:07:31,334 --> 00:07:32,929
IS EXACTLY WHAT
HOMICIDE DETECTIVES
170
00:07:32,953 --> 00:07:34,351
SAW 5 YEARS AGO.
171
00:07:34,420 --> 00:07:37,889
IT'S LIKE STEPPING INTO A VOID.
172
00:07:37,958 --> 00:07:40,225
IT'S LIKE STEPPING
INTO THE PAST.
173
00:07:40,294 --> 00:07:42,627
MOVING ON FROM THE
FOYER TO A BACK HALL
174
00:07:42,695 --> 00:07:44,362
IN THIS OLD HOUSE,
175
00:07:44,431 --> 00:07:46,364
PAST A STAIRCASE
176
00:07:46,433 --> 00:07:49,700
TO A DOOR THAT I BELIEVE...
177
00:07:49,769 --> 00:07:50,835
LEADS TO THE KITCHEN.
178
00:07:53,924 --> 00:07:56,724
HERE, ADA RITTER PREPARED
HOME-COOKED MEALS
179
00:07:56,793 --> 00:07:57,793
FOR HER BOARDERS.
180
00:07:59,545 --> 00:08:00,678
OF COURSE,
181
00:08:00,747 --> 00:08:04,715
LITTLE DID THEY KNOW THAT
THOSE MEALS WOULD, UH...
182
00:08:04,785 --> 00:08:08,236
PERHAPS BE THEIR LAST MEALS.
183
00:08:08,305 --> 00:08:10,037
BUT LOOK AT THE COUNTER.
184
00:08:10,106 --> 00:08:12,173
CANNED GOODS,
FOODSTUFF, DISHES, PLATES.
185
00:08:12,242 --> 00:08:14,209
HA HA!
186
00:08:14,277 --> 00:08:15,577
KIDNEY BEANS.
187
00:08:15,645 --> 00:08:18,546
IT'S AS THOUGH ADA
RITTER NEVER LEFT.
188
00:08:21,884 --> 00:08:23,835
BEAUTIFUL.
189
00:08:23,903 --> 00:08:25,269
BEAUTIFUL.
190
00:08:25,339 --> 00:08:27,038
HA HA HA HA.
191
00:08:27,106 --> 00:08:28,106
WOW.
192
00:08:28,141 --> 00:08:29,441
AT LEAST WE KNOW
193
00:08:29,509 --> 00:08:31,921
THERE ARE STILL SOME
INHABITANTS IN THIS HOUSE.
194
00:08:31,945 --> 00:08:33,723
IT'S HIS FUCKIN' FAMILY.
195
00:08:33,747 --> 00:08:34,747
HA HA HA HA.
196
00:08:40,153 --> 00:08:41,953
NOW LET'S HEAD FOR THE PARLOR.
197
00:08:51,882 --> 00:08:53,948
I HOPE THOSE DAMN RATS
WE FOUND IN THE KITCHEN
198
00:08:54,017 --> 00:08:56,384
ARE THE ONLY THING WE
FIND ALIVE IN THIS HOUSE.
199
00:09:05,595 --> 00:09:07,295
AH, YES.
200
00:09:07,364 --> 00:09:08,296
THE GAME ROOM.
201
00:09:08,365 --> 00:09:10,798
IT WAS IN THIS ROOM,
ACCORDING TO POLICE,
202
00:09:10,867 --> 00:09:14,069
THAT ADA RITTER PLAYED
HER CLEVER GAMES
203
00:09:14,137 --> 00:09:16,304
AND ENTERTAINED HER GUESTS.
204
00:09:16,373 --> 00:09:17,905
AND...
205
00:09:17,975 --> 00:09:21,209
QUITE OFTEN, AS
A MATTER OF FACT,
206
00:09:21,278 --> 00:09:23,238
WOULD ENTERTAIN
THEM ON THE PIANO.
207
00:09:25,082 --> 00:09:26,082
WHAT'S THAT?
208
00:09:31,404 --> 00:09:33,685
WHAT'S A HAUNTED HOUSE
WITHOUT A COUPLE OF SHEETS?
209
00:09:36,443 --> 00:09:37,375
NOW...
210
00:09:37,444 --> 00:09:38,960
INTO THE BASEMENT.
211
00:09:39,029 --> 00:09:40,078
IT WAS DOWN THERE
212
00:09:40,146 --> 00:09:41,479
IN A DANK,
213
00:09:41,548 --> 00:09:43,815
CLAUSTROPHOBIC HELL
214
00:09:43,884 --> 00:09:46,985
THAT POLICE DISCOVERED
THE GRISLY TRUTH
215
00:09:47,054 --> 00:09:48,686
ABOUT ADA RITTER.
216
00:10:06,172 --> 00:10:09,173
DOWN HERE, THE
SMILING MATRON OF DEATH
217
00:10:09,242 --> 00:10:10,887
CHOPPED UP THE
CORPSES, ALL RIGHT?
218
00:10:10,911 --> 00:10:12,755
AND THEN STACKED
THEIR BODY PARTS
219
00:10:12,779 --> 00:10:14,979
NEATLY BEHIND THE WALL.
220
00:10:15,048 --> 00:10:17,348
12 INNOCENT MEN.
221
00:10:17,417 --> 00:10:19,150
12 MEN...
222
00:10:19,218 --> 00:10:22,031
WHOSE... WHOSE LIVES JUST
SLIPPED THROUGH HER FINGERS
223
00:10:22,055 --> 00:10:24,288
LIKE GRAINS OF SAND.
224
00:10:24,357 --> 00:10:26,657
12 TRANSIENTS...
225
00:10:26,726 --> 00:10:29,127
WHOSE FINAL RESTING PLACE
226
00:10:29,195 --> 00:10:30,861
WAS THIS BLACK PIT.
227
00:10:33,666 --> 00:10:34,666
TRIP.
228
00:10:37,421 --> 00:10:39,032
WHAT WENT THROUGH THE MIND
229
00:10:39,056 --> 00:10:40,455
OF ADA RITTER?
230
00:10:40,524 --> 00:10:43,258
WHAT PERVERSE LOGIC
COULD CONVINCE HER
231
00:10:43,326 --> 00:10:46,911
THAT HER CRIMES WERE JUSTIFIED?
232
00:10:46,980 --> 00:10:51,265
WAS IT GREED? WAS IT LUST?
233
00:10:51,334 --> 00:10:52,834
Booth: 10 SECONDS TO COMMERCIAL.
234
00:10:52,902 --> 00:10:54,513
PERHAPS AN INSATIABLE APPETITE
235
00:10:54,537 --> 00:10:56,170
FOR BLOOD LETTING.
236
00:10:56,239 --> 00:10:58,840
BUT AS WE SEARCH FOR CLUES,
237
00:10:58,908 --> 00:11:02,009
WHICH WE'LL DO
WHEN WE COME BACK,
238
00:11:02,078 --> 00:11:03,177
WE'LL FIND OUT.
239
00:11:03,246 --> 00:11:05,312
Booth: OUT. ROLL COMMERCIAL.
240
00:11:05,381 --> 00:11:07,599
TAKE 3.
241
00:11:07,667 --> 00:11:09,800
SHH. CINDY'S SLEEPING...
242
00:11:09,869 --> 00:11:11,881
ALL RIGHT. GOT THAT, GANG?
243
00:11:11,905 --> 00:11:12,837
IS THAT A KILLER?
244
00:11:12,906 --> 00:11:14,183
YEAH, YEAH, WE GOT IT, HORTON.
245
00:11:14,207 --> 00:11:16,007
NOW, GET YOUR ASS UPSTAIRS.
246
00:11:16,075 --> 00:11:17,086
YOU GOT 2 MINUTES.
247
00:11:17,110 --> 00:11:18,110
FUCK! COME ON.
248
00:11:22,415 --> 00:11:24,782
WELL, I GUESS YOU
BETTER REMEMBER
249
00:11:24,851 --> 00:11:26,595
WHO TOLD YOU FIRST, HUH, SAM?
250
00:11:26,619 --> 00:11:27,899
WHAT DID I TELL YOU?
251
00:11:27,954 --> 00:11:28,981
IT'S A GREAT SHOW.
252
00:11:29,005 --> 00:11:31,125
HEY, DID THE NETWORK CALL YET?
253
00:11:31,174 --> 00:11:32,640
YEAH, HORTON. THE
NETWORK CALLED.
254
00:11:32,709 --> 00:11:33,986
THEY WANT YOU TO
PICK UP THE PACE.
255
00:11:34,010 --> 00:11:34,943
WHAT?
256
00:11:35,011 --> 00:11:36,177
HEY, THE SHOW'S DRAGGING.
257
00:11:36,245 --> 00:11:38,880
THEY'RE AFRAID IT'LL BE
ANOTHER AL CAPONE'S VAULT.
258
00:11:38,949 --> 00:11:41,226
WHAT THE FUCK DO
THEY WANT ME TO DO?
259
00:11:41,250 --> 00:11:42,250
HORTON...
260
00:11:42,285 --> 00:11:43,234
LISTEN, I'M A GUY
261
00:11:43,302 --> 00:11:44,235
WHO KNOWS A GOOD
STORY, ALL RIGHT?
262
00:11:44,303 --> 00:11:45,815
I'M THE GUY WHO
WENT TO EL SALVADOR.
263
00:11:45,839 --> 00:11:47,416
I'M THE GUY WHO
WENT TO AFGHANISTAN.
264
00:11:47,440 --> 00:11:48,784
THEY'RE THE GUYS WHO SAT HOME
265
00:11:48,808 --> 00:11:50,953
ON THEIR FAT ASSES AND ATE
QUICHE WHILE I WAS OVER THERE.
266
00:11:50,977 --> 00:11:52,126
HORTON.
267
00:11:52,195 --> 00:11:53,777
OK.
268
00:11:53,846 --> 00:11:55,491
I'M TELLING YOU,
THIS IS A GREAT SHOW.
269
00:11:55,515 --> 00:11:57,727
THE RATINGS ARE GOING
TO GO THROUGH THE ROOF.
270
00:11:57,751 --> 00:11:59,667
THE RATINGS ARE GONNA BE
OUT THE GODDAMN WINDOW
271
00:11:59,735 --> 00:12:01,197
IF YOU DON'T DO
SOMETHING TO SPICE IT UP.
272
00:12:01,221 --> 00:12:05,539
WHAT AM I SUPPOSED
TO SPICE IT UP WITH?
273
00:12:09,328 --> 00:12:10,328
YOU HEAR THAT?
274
00:12:13,016 --> 00:12:14,693
Man, faintly: HELP ME.
275
00:12:14,717 --> 00:12:15,650
COME ON, TRIP.
276
00:12:15,718 --> 00:12:17,685
SOMETHING'S GOING
ON IN THIS HOUSE.
277
00:12:17,754 --> 00:12:21,194
Sam: HORTON, WHAT
ARE YOU TALKING ABOUT?
278
00:12:37,590 --> 00:12:38,522
LET'S ROCK.
279
00:12:38,591 --> 00:12:40,274
HOW SOON BEFORE WE'RE BACK?
280
00:12:40,343 --> 00:12:42,054
Booth: LESS THAN
A MINUTE, HORTON.
281
00:12:42,078 --> 00:12:43,845
DAMN IT. HUSTLE IT UP.
282
00:12:57,677 --> 00:12:58,793
OH, GREAT.
283
00:12:58,862 --> 00:13:00,445
WHAT IS THAT?
284
00:13:00,513 --> 00:13:01,446
I DON'T KNOW.
285
00:13:01,514 --> 00:13:04,899
SOME KIND OF INTERFERENCE.
286
00:13:04,967 --> 00:13:06,145
TRIP, YOU WANT TO
CHECK YOUR CONNECTIONS?
287
00:13:06,169 --> 00:13:07,613
WE GOT A LOT OF SNOW
AND STATIC IN HERE.
288
00:13:07,637 --> 00:13:08,717
ROGER, KINGPIN.
289
00:13:11,290 --> 00:13:13,050
Booth: WE GOT ABOUT
20 SECONDS, TRIP.
290
00:13:16,078 --> 00:13:17,590
CHRIST, WE'VE LOST PICTURE.
291
00:13:17,614 --> 00:13:19,191
GIVE ME A CHECK RIGHT AWAY.
292
00:13:19,215 --> 00:13:20,593
LET'S JUST ROLL
ANOTHER COMMERCIAL
293
00:13:20,617 --> 00:13:21,549
TILL WE FIND THE PROBLEM.
294
00:13:21,618 --> 00:13:22,628
CAN'T YOU FUCKIN' PEOPLE
295
00:13:22,652 --> 00:13:24,262
GET THE FUCKIN' BUGS
OUT OF THIS EQUIPMENT?
296
00:13:24,286 --> 00:13:26,453
WE'LL TRY, HORTON. WE'LL TRY,
297
00:13:26,523 --> 00:13:28,066
AS SOON AS YOU GET
RID OF THE FUCKING BUG
298
00:13:28,090 --> 00:13:30,090
UP YOUR FUCKING ASS.
299
00:13:35,065 --> 00:13:37,181
HORTON, DO YOU
HEAR DRIPPING WATER?
300
00:13:39,919 --> 00:13:40,852
YEAH. SO WHAT?
301
00:13:40,920 --> 00:13:42,197
THE UTILITIES HAVE
BEEN OFF FOR YEARS.
302
00:13:42,221 --> 00:13:45,139
THAT PLACE SHOULD BE BONE DRY.
303
00:13:45,208 --> 00:13:47,708
SAM, WHAT DO YOU WANT
ME TO DO? READ THE METERS?
304
00:13:47,777 --> 00:13:49,877
JUST CHECK IT OUT IF YOU CAN.
305
00:14:13,203 --> 00:14:15,203
TRIP! COME HERE!
306
00:14:15,271 --> 00:14:16,204
Booth: HORTON, WHAT'S HAPPENING?
307
00:14:16,272 --> 00:14:17,272
COME HERE.
308
00:14:20,960 --> 00:14:21,875
Booth: WHAT IS IT, HORTON?
309
00:14:21,944 --> 00:14:23,722
WHAT THE HELL IS GOING ON?
310
00:14:23,746 --> 00:14:24,856
THERE WAS A MAN IN THAT BATHTUB
311
00:14:24,880 --> 00:14:27,315
AND HIS THROAT WAS SLASHED.
312
00:14:27,383 --> 00:14:28,527
TRIP, DID YOU SEE ANY THAT?
313
00:14:28,551 --> 00:14:32,003
UH, NO, MAN, I DIDN'T.
314
00:14:32,072 --> 00:14:33,204
ARE YOU CRAZY?
315
00:14:33,273 --> 00:14:35,073
HE WAS IN THAT
BATHTUB, AND I SAW HIM!
316
00:14:35,141 --> 00:14:37,808
I WAS LOOKING AT
THE CAMERA, MAN.
317
00:14:48,705 --> 00:14:49,753
ARE YOU GUYS GETTING THIS?
318
00:14:51,374 --> 00:14:52,540
WE GOT PICTURE!
319
00:14:52,609 --> 00:14:53,769
GET OUT OF THAT
COMMERCIAL RIGHT NOW!
320
00:14:53,793 --> 00:14:54,726
YOU'RE ON, HORTON.
321
00:14:54,794 --> 00:14:55,971
YOU'RE ON LIVE. GET OUT THERE.
322
00:14:55,995 --> 00:14:56,995
GO!
323
00:15:28,827 --> 00:15:30,911
Sam: HORTON. HORTON,
GET ON CAMERA.
324
00:15:30,980 --> 00:15:33,163
DO A STAND-UP... NOW.
325
00:15:37,320 --> 00:15:39,564
LADIES AND GENTLEMEN,
WHAT WE'VE BEEN EXPERIENCING
326
00:15:39,588 --> 00:15:41,233
AND WHAT YOU'VE BEEN WITNESSING
327
00:15:41,257 --> 00:15:43,907
IS THE FIRST CASE OF
PSYCHIC PHENOMENA
328
00:15:43,976 --> 00:15:46,143
EVER VIEWED ON LIVE TELEVISION.
329
00:15:46,212 --> 00:15:47,128
BOOTH, WOULD YOU PATCH ME IN
330
00:15:47,197 --> 00:15:48,637
WITH DR. WORKSHAFTER, PLEASE?
331
00:15:48,681 --> 00:15:50,142
GET ME CAMERA 2 ON
WORKSHAFTER RIGHT NOW.
332
00:15:50,166 --> 00:15:51,532
COME ON. GET ME AN IMAGE.
333
00:15:53,235 --> 00:15:54,479
Horton: DR. WORKSHAFTER...
334
00:15:54,503 --> 00:15:57,788
JUST WHAT IS IT, SIR, THAT
WE'VE BEEN EXPERIENCING?
335
00:15:57,856 --> 00:15:59,318
Workshafter: TWO
FORMS OF PHENOMENA...
336
00:15:59,342 --> 00:16:02,710
A PSYCHIC IMPRESSION AND
SOME POLTERGEIST ACTIVITY,
337
00:16:02,778 --> 00:16:05,997
BOTH RATHER COMMON IN
THE WORLD OF PSI-PHENOMENA.
338
00:16:06,065 --> 00:16:07,926
WHAT IS HAPPENING IS NOT UNUSUAL
339
00:16:07,950 --> 00:16:10,790
FOR A SITE WHERE A VIOLENT
EVENT HAS TAKEN PLACE.
340
00:16:10,837 --> 00:16:14,472
FREQUENTLY WHAT HAPPENS
IS THAT AN IMPRESSION
341
00:16:14,540 --> 00:16:16,824
HAS BEEN RECORDED BY THE WALLS
342
00:16:16,893 --> 00:16:18,692
AND TRAPPED INSIDE,
343
00:16:18,761 --> 00:16:20,995
AND PLAYS OVER AND OVER AGAIN.
344
00:16:21,063 --> 00:16:23,030
KIND OF LIKE AN INSTANT REPLAY?
345
00:16:23,099 --> 00:16:27,668
YES, WHEREAS POLTERGEIST
ACTIVITY IS THE ACTIONS
346
00:16:27,736 --> 00:16:31,638
OF A MISCHIEVOUS OR MALEVOLENT
347
00:16:31,707 --> 00:16:33,825
EARTHBOUND SPIRIT.
348
00:16:33,893 --> 00:16:35,743
ARE WE IN ANY DANGER?
349
00:16:35,811 --> 00:16:39,830
YOU WERE IN DANGER THE MOMENT
YOU CRAWLED THROUGH THE THRESHOLD.
350
00:16:41,617 --> 00:16:42,928
Voice: HELP ME...
351
00:16:42,952 --> 00:16:47,321
TRIP! TRIP! TRIP!
352
00:16:50,776 --> 00:16:52,526
TRIP!
353
00:16:52,595 --> 00:16:54,712
BOOTH, SOMEBODY
IS IN THIS HOUSE.
354
00:16:54,781 --> 00:16:55,924
SOMEBODY IS IN THIS HOUSE.
355
00:16:57,183 --> 00:16:58,844
PLEASE NOTIFY THE AUTHORITIES.
356
00:16:58,868 --> 00:16:59,801
FOLKS, I'M NOT
KIDDING YOU, ALL RIGHT?
357
00:16:59,869 --> 00:17:01,247
WHILE WE WERE IN COMMERCIAL,
358
00:17:01,271 --> 00:17:03,315
THERE ARE ALL KINDS OF
THINGS GOING ON IN THIS HOUSE.
359
00:17:03,339 --> 00:17:04,271
I AM NOT OUT OF MY...
360
00:17:04,340 --> 00:17:06,323
OK. YES.
361
00:17:06,392 --> 00:17:08,008
IT'S THE NETWORK. THEY LOVE IT.
362
00:17:08,078 --> 00:17:09,598
WHATEVER WE'RE
DOING, KEEP ON DOING IT.
363
00:17:09,645 --> 00:17:11,929
THE PHONES ARE
RINGING OFF THE WALLS.
364
00:17:11,998 --> 00:17:15,010
LADIES AND GENTLEMEN, SOME
DISTURBING EVENTS HAVE BEEN TAKING PLACE.
365
00:17:15,034 --> 00:17:17,802
NOW, WHETHER THIS IS ALL A HOAX,
366
00:17:17,871 --> 00:17:22,039
OR SOME SUPERNATURAL
ACTIVITY IS GOING ON,
367
00:17:22,108 --> 00:17:24,228
I DON'T KNOW, BUT
WE'RE GOING TO FIND OUT.
368
00:17:39,141 --> 00:17:40,141
TRIP.
369
00:17:49,319 --> 00:17:50,851
Booth: OH, MY GOD. IT'S TRIP.
370
00:17:50,919 --> 00:17:52,503
HORTON?
371
00:17:52,572 --> 00:17:54,271
HORTON, WHO'S GOT THE CAMERA?
372
00:17:56,960 --> 00:17:59,226
OH, JESUS!
373
00:18:07,169 --> 00:18:08,302
AAH!
374
00:18:10,707 --> 00:18:12,807
HELP ME!
375
00:18:12,875 --> 00:18:14,002
GET THE SECURITY
TEAM TO STAND BY.
376
00:18:14,026 --> 00:18:15,171
Horton: I'VE GOTTA
GET OUT OF HERE!
377
00:18:15,195 --> 00:18:16,110
IT'S THE NETWORK
AGAIN. THEY'RE ECSTATIC.
378
00:18:16,178 --> 00:18:17,111
RATINGS ARE GOING
THROUGH THE ROOF.
379
00:18:17,179 --> 00:18:18,779
OH, GOD. HELP ME!
380
00:18:24,270 --> 00:18:25,435
HELP ME!
381
00:18:25,504 --> 00:18:28,038
GET ME OUT OF THIS HOUSE!
382
00:18:28,107 --> 00:18:29,317
WHAT DO YOU WANT TO DO?
383
00:18:29,341 --> 00:18:30,619
WE PULL IT NOW OR
WE KEEP HIM IN THERE?
384
00:18:30,643 --> 00:18:32,259
Horton: OH, GOD!
385
00:18:32,328 --> 00:18:33,944
IT'S YOUR CALL.
386
00:18:34,013 --> 00:18:36,714
HELP ME!
387
00:18:36,783 --> 00:18:38,215
KEEP HIM IN THERE.
388
00:18:38,284 --> 00:18:39,900
GOD HELP ME!
389
00:18:39,969 --> 00:18:43,604
GET ME OUT OF THIS HOUSE!
390
00:18:43,673 --> 00:18:45,005
HELP ME!
391
00:18:45,074 --> 00:18:46,290
HELP ME!
392
00:18:49,178 --> 00:18:50,110
OH!
393
00:18:50,179 --> 00:18:52,713
OH, OH, OH, OH.
394
00:18:56,052 --> 00:18:57,052
NO!
395
00:19:00,673 --> 00:19:01,589
NO! NO!
396
00:19:01,657 --> 00:19:04,291
DON'T LEAVE ME IN HERE!
397
00:19:04,360 --> 00:19:07,094
HORTON, CAN YOU HEAR ME?
398
00:19:07,163 --> 00:19:08,396
WE GOT TO KEEP YOU IN THERE.
399
00:19:08,464 --> 00:19:09,796
THE RATINGS ARE TOO HIGH.
400
00:19:09,865 --> 00:19:11,298
AAH!
401
00:19:15,888 --> 00:19:17,120
AAH!
402
00:19:17,189 --> 00:19:18,522
SOUNDS COLD, I KNOW,
403
00:19:18,591 --> 00:19:21,625
BUT YOU GOT TO HAVE
THAT KILLER INSTINCT, RIGHT?
404
00:19:21,694 --> 00:19:22,610
HANG IN THERE, BABE.
405
00:19:22,678 --> 00:19:23,711
AAH!
406
00:19:28,401 --> 00:19:29,911
Sam: WHATEVER YOU'RE
DOING, KEEP DOING IT.
407
00:19:29,935 --> 00:19:31,169
IT REALLY LOOKS REAL.
408
00:19:32,405 --> 00:19:34,070
AAH! AAH!
409
00:19:38,310 --> 00:19:39,677
AAH!
410
00:19:55,728 --> 00:19:58,212
Booth: HOLY SHIT.
411
00:20:14,998 --> 00:20:16,078
Horton: HEY, FOLKS,
412
00:20:16,115 --> 00:20:18,532
WHAT'S IT LIKE TO
HAVE SEX WITH SATAN?
413
00:20:18,601 --> 00:20:20,713
MEET 4 WOMEN AND ONE
MAN WHO SAY THEY HAVE
414
00:20:20,737 --> 00:20:24,672
ON THE NEXT EDITION
OF HORTON RIVERS LIVE.
415
00:20:33,649 --> 00:20:35,849
OH, THAT HORTON.
416
00:20:35,918 --> 00:20:38,685
HE'S A REAL SWINGER.
417
00:20:38,754 --> 00:20:42,356
HE HANGS OUT IN
ALL THE RIGHT PLACES.
418
00:20:42,425 --> 00:20:45,392
NO WONDER HE'S
SUCH A HIT ON LIVE...
419
00:20:45,461 --> 00:20:47,294
OR IS IT DEAD? TV!
420
00:20:52,368 --> 00:20:55,303
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
421
00:20:55,371 --> 00:20:58,371
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...